Category Archives: Dickens

1830s era transitional gown

This custom made gown is our Charlotte gown made for a museum in Pennsylvania. It is shown over our corded petticoat and standard petticoat.

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Our Charlotte gown is a transitional gown- meaning it has characteristics of 1830s era gowns but has features found in the 1840s as well. This gown was chosen by the museum’s program director because they needed a versatile early mid 19th century interpretive piece.


We will be finishing a corset, chemise, day cap, and chemisette in the near future to complete this gown in appropriate late 1830s era style.

For more information about this gown or any of our custom made garments, please visit our main website.

Girl’s 1830s era dresses

Pictured below are two of the four 1830s era girl’s dresses we made for a hands on interpretive exhibit for Washington on the Brazos National Park in Texas.

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We modified our design so that children of many sizes can simply step into the dress with ease. The garments are also completely machine sewn with reinforced seams to provide years of use.


We made simple pull over aprons (based upon an original 1830s era garment) for each dress.


For more information about these custom order garments or any of our historical clothing, please visit our website at or email us at

Boy’s 1830s era frock coats

We recently completed 4 sets of boy’s 1830s era frock coats and contrasting cotton vests for Washington on the Brazos National Park. They’re just adorable (in my opinion!)

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For more information about these garments or any of our custom designed historical clothing, please visit our website at or email us at

Men’s Historical Shirts!

We have shirts! Men’s shirts! This style of shirt was worn from the 1840s through the end of the 19th century! Email us today for current availability!


Men’s high quality white cotton shirt with wooden buttons- $42.00 plus S&H


Men’s homespun shirt with wooden buttons- $58.00 plus S&H

New policies for 2016


Wow! We’ve had an amazing year! I feel like I say that at the end of every year, but 2015 really turned out to be one of our busiest of all time! I estimate over the course of the past 12 months, we stitched over 1200 yards of fabrics and completed over 300 garments! We lead 2 hands on workshops and gave 8 historical clothing presentations! What a year!

Looking ahead, we will be instituting a few new policies. As our markets and clientelle change, so must we. Effective January 1, 2016, we will be changing a few of our requirements. So here goes:

1. All film commissions will require payment in full at the time of order. Orders not paid in full within 10 days of order date will be subject to cancellation.

2. Effective January 1, 2016 a design fee will be added to production estimates for custom designed projects to cover the cost of pattern drafting, sizing, mock ups, and research (if applicable). Our design fee begins at $75.00 per design and is subject to change based upon individual projects (i.e. the more complicated the design, the higher the design cost).

3. Beginning in January, established clientelle will have priority completion dates. One of our biggest compliments is a returning customer and we would like to say thank you by offering priority scheduling.

4. Our reproduction fabric will now be dedicated exclusively to creating our custom historical garments. Any available yardage will be offered for immediate purchase on our IN STOCK page. -REVISED 2018- ALL FABRIC SALES ARE ACTIVE!

5. Our production calendar runs from January 2- May 31 and September 2- December 20. This allows us to spend our summer months conducting workshops, giving lectures, and attending conferences. All orders placed at the end of our production calendar will receive first priority at the beginning of the consecutive production season. We ship IN STOCK garments year round.

And just a gentle reminder:

All Maggie May Clothing images are protected under creative copyright and may not be shared or published in any way without written consent. This applies to our main website, our Etsy shop, and all affiliated social media sites.

Thanks and we look forward to another fabulous year of historical fashion!

Widow Corney from Oliver!

I recently completed this gown and apron ensemble for Paper Mill Playhouse’s production of Oliver in NYC. The fabric was supplied by the costume shop. The dress and apron design are mine. It is a modified version of my American South dress (with an added collar) and the apron is simply a half apron with double patch pockets.

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absolutely love the variety of texture ( both real and implied) in this outfit. The dress body has a very soft hand but the apron is stiff and almost coarse in texture. The collar and cuffs are made of a small white on white cotton print and complements the large bold pattern of the dress body. The beige cotton apron has very subtle variegated navy blue pinstripes running through it- tying the entire ensemble together.

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These fabric were really lovely to work with. The dress is super light and billowy. The apron is a bottom weight cotton and has a great deal of body to it. The bodice front and back are fully lined with cotton muslin and the hem is reinforced with a wide muslin binding.

New historical patterns from Butterick


Butterick has released some gorgeous (and pretty darn authentic) new patterns by Nancy Farris-Thee this season! While Simplicity seems to have had the upper hand on market for the past few years, it looks like Butterick might be giving them some competition.



Butterick Pattern #5901

Over the past few years, Simplicity has been catering to Victorian era sewers and I am excited to see Butterick picking up on an era well overlooked amongst almost all pattern makers:

The ROMANTIC Period!

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Butterick Pattern #5832

With all the hoopla about the upcoming 150th anniversaries of the American Civil War, the market has been flooded with tons of Victorian era stuff. Now Simplicity seems to be moving on to the Steam-Punk market. However, Butterick’s release of this beautiful Romantic era gown makes me wonder if the next big thing is going to be the 1830s and 1840s!

I do hope so!

Happy sewing everyone!

Rebecca Eaton on Downton Abbey and Masterpiece

This morning I was honored to have the opportunity to meet Rebecca Eaton (Exec Producer of PBS’s Masterpiece) and hear her speak about her 25+ years as producer of the series (and specifically how Julian Fellowes’ Downton Abbey has come to change the status of Masterpiece Classic).

Rebecca Eaton and self proclaimed “Anglo-file” was the keynote speaker for this year’s PBS station’s “Be More” awards- a series of awards given to local nonprofits as recognition for their work within the community. However, it was Rebecca Eaton whom I specifically came to hear and really had no connection to the awards ceremony at all.

First of all I must tell you that Rebecca Eaton is completely unpretentious, unbelievably real, and quite honest! She is funny and intelligent. Her speech didn’t really seem like a speech- but more of a conversation amongst friends. She spoke of her humble beginnings at her local PBS station in Boston (where she still works) and of her background. Her father was an expert in Shakespeare and her mother was an actress. She was a English major and thus it seemed as if a position with PBS was a natural fit.

Over the years she has worked with several individuals whom we now consider acting icons- Helen Mirren, Maggie Smith, Judy Dench, Hugh Laurie, Kenneth Branagh, Laura Linney, and Jillian Anderson just to name a few. She talked about personalities and gave insider info about what it was like to work with some of these favorites. For example, she noted how outstanding Jillian Anderson is in all the pieces she works on, how funny Hugh Bonneville is, and how kind and passionate Dan Stevens (or “the man with the azure eyes”) is on set. She talked about how estranged Elizabeth McGovern felt on the set of Downton Abbey as the only American actress in the cast.

She talked a bit about how the Masterpiece series comes to be. She works with a very small staff- only 8 people including herself out of her office in Boston. All of her productions are filmed in Europe (primarily in conjunction with BBC.) She spends hours reading scripts, looking over “bibles” (or the generalized plot outlines which details a production’s premise, setting, character profiles, and story continuity), and says she watches a lot of British programming. Masterpiece then either picks up these British productions and airs them on American television or acts as co producers for upcoming productions (as they did with Downton Abbey). When acting as a co producer, Rebecca Eaton actually works on set.

Interestingly enough when she first read the generalized synopsis for Downton Abbey, she said she was not overly impressed. She says she was on the fence about it. It was not until she received a call from Simon Curtis (Elizabeth McGovern’s producer husband) who urged her to peruse Downton she gave it further thought. And, once she found out Maggie Smith had been cast, the deal was sealed and Downton began production in 2010.

Currently, there is a third Downton in production. This 10 hour series casts Shirley McClain as Cora’s American mother. Rebecca Eaton says she was a bit concerned about the on set interaction between Maggie Smith and Shirley McClain but says the two actresses are getting along wonderfully. In fact, she was very happy to mention that the entire cast of Downton is a very tight knit group- and apparently a group with a great deal of integrity. She says there is no behind the scenes drama, no love affairs, no marriage breakers. (Sorry ladies- Dan Stevens is happily married with two beautiful children!)

She talked a bit about the set- all the furnishings are period to the house and none of the actors or actresses are allowed to sit on the furniture unless the scene calls for it. There is absolutely no food or drink on set. When Downton is not filming, the house is open to tourists and looks exactly the way it appears in the series.  However, the downstairs scenes are filmed an hour away at a film stage. Nothing remains of the house’s original downstairs as it has been converted into a gift shop.

As for the future of Downton, Rebecca Eaton says she hopes it continues on for some time. However, it will be difficult to keep the same cast members as they wish to move on to other projects. And, unlike American television (which is written by a team of writers), Downton Abbey is the brainchild of one man- one writer- Julian Fellowes. They already have the first 5 hours of Downton (series 3) filmed and Fellowes is still writing the last three hours in this series. Eaton hopes he will be able to continue the saga of the Crawley family for a while longer. (She hinted in season 3, someone will be born and one of the main characters will die.)

The popularity of Downton Abbey has skyrocketed Masterpieces’ ratings by 35%. But more importantly, it has brought in a younger audience (those in their 20s and 30s)- which will ultimately lead to the preservation of the series’ future. There are several new, more youthful productions scheduled for release this spring- including Sherlock, Inspector Morse, and an dramatic new interpretation of Charles Dickens’ unfinished The Mystery of Edwin Drood.

I have always been a fan of PBS’s Masterpiece but after having the opportunity to meet Rebecca Eaton and hear her speak with such passion about her work, I will forever be a Masterpiece fan. Thank you Ms. Eaton for your brilliance and revolutionary vision, and for introducing Masterpiece to a whole new generation!