One of our commissions this fall was to interpret the garments in The Girl with the Pearl Earring by Jan Vermeer (c. 1665).
This piece was strictly interpretive and while we were concerned with capturing the historical silhouette of this period, our emphasis was primarily on color and texture and creating the illusion of the girl in the painting.
For the body of the gown we used a tobacco brown moleskin. It has the handofsuede or alow pile velvet and is satin backed. It created a beautiful rustic textured gown with a slight sheen. The shift is sheer white cotton lawn.
Details include hand stitching on the bodice and pleated sleeves at the shoulder back
For the turban, we drew from Vermeer’s other painting’s also featuring the famous gold and blue cloth: As follows:The Art of Painting; The Love Letter;and The Allegory of Faith
Ourinterpretation is constructed ofa light weight synthetic silk bordered with turquoise satin. I chose synthetic over natural silk so the turban can be washed easily when needed.
To add texture, I soaked the finished turban in warm water, twisted it and tied it off, and then driedit under low heat to add a crinkled surfacereminiscent of the turban in the painting. The client will be tying the turban herself.
For more information about this gown or any of our custom made historical garments, please visit our website at www.maggiemayfashions.com